JOSEPH BEUYS AND ART IN EZOTERIC CONTEXT   AND “SIBERIAN SYMPHONY, PART ONE” ANALYSIS OF FORENSIC PERFORMANCE
JOSEPH BEUYS VE SANATI’NIN EZOTERİK BAĞLAMDA İNCELENMESİ VE “SİBİRYA SENFONİSİ, BİRİNCİ BÖLÜM” ADLI PERFORMANSININ İKONOGRAFİK OLARAK İNCELENMESİ

Author : Ekin Su KUZU
Number of pages : 334-349

Abstract

Joseph Beuys, II. After World War II, he became one of the most influential and controversial artists. The aim of this study is to examine the performance of Joseph Beuys, an performance artist, in an esoteric context. Beuys is interested in the symbols and myths of nature from an early age and his performances are examined in an esoteric way. In this study, it is aimed to analyze the relationship between this story and shamanism and to analyze the meanings underlying the symbols used in performance. Beuys has a symbolic story in which a plane accident. Beuys, transformed by this accident, makes references to the shamanist world in general in his actions. In this context, it is seen that Beuys and its performances should be examined by establishing a direct relational connection with esotericism. This aspect of Beuys will bring a new dimension to literature as well as a clear view that art should be examined from different dimensions.

Keywords

Joseph Beuys, Esoterism, Myths, Iconography.

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